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One of the reasons the series is so beloved is for the numerous, complex, and flawed female characters that Jordan created. Indeed, Jordan’s own characters often defy the binaries he sets around them. But even if it isn’t, the show seems intent on avoiding much of the harsh binaries of the novels. There is no mention of saidar here, and it is my hope that the television series might be doing away with the concept of the two halves entirely. Rather, her focus is on producing an almost meditative state in Egwene, telling her to let herself drift and to allow all distraction to fall away until only the river - the One Power - remains. Moiraine does eventually use the word “surrender” as she is speaking to Egwene, but it is not the forefront of the conversation. Later, when Moiraine shows Egwene that she has the ability to touch the True Source, she has Egwene concentrate on a blue gem and imagine that it is a river.
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And yet, despite being unaware of their abilities, and despite Nynaeve’s hatred and distrust of the Aes Sedai and what they do, this ritual has begun preparing Egwene to learn how to channel, to understand and connect to the One Power. Nynaeve doesn’t discover her ability to channel until she instinctively heals Lan and the Aes Sedai injured in Logain’s attack.
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It is Moiraine who explains to Egwene that the Wisdom’s skill of “listening to the wind” is just another name for being connected to the One Power. As we have learned by the fourth episode of The Wheel of Time, both Egwene and Nynaeve possess the ability to channel the One Power. It’s here that the show gets the imagery of the river as a metaphor for the One Power, and seeds the concept immediately at the beginning of the series with Egwene’s experience. They are described predominantly as “yielding” and “surrendering” to it. In order to channel saidar, women must open themselves to the power and allow it to fill them, before gently guiding it where they would like it to go. Saidar, the female half of the One Power, is described as a steady but incredibly powerful river. Channelers have to “seize” saidin and bend it forcibly to their will they are often described as “dominating” saidin and “wielding” it like a weapon.
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For men, saidin is a raw and fiery torrent that fights against being controlled. Perhaps the most egregious of these is how channelers interact with their respective sides of the One Power. This creates a lot of problems for the series, and while Jordan manages to subvert them in places, more often, the narrative falls into the trap of reinforcing tired gender stereotypes. But it’s here that the world-building hits a snag, because the two halves are divided into a strict gender binary, with saidin being the male half and saidar being the female half. Some people have the ability to touch the True Source, to channel the One Power and use it to perform miraculous feats. These two halves work both in opposition to and cooperation with each other, and it is their push and pull that creates the motion that drives the One Power and turns the Wheel. It is a singular energy however, in the novels it is divided into two halves, saidin and saidar. In the world of The Wheel of Time, there is only One Power, the energy which turns the Wheel of Time, spinning out the thread of people’s lives to weave the Pattern of Creation. It’s a different word from the one that is used in Robert Jordan’s 14-novel epic, illustrating the subtle and yet profound way that the show has altered how the One Power functions how it is improving on the concept of channeling and how it is erasing some of the problematic gender stereotypes of the source material. But the word “trust” stuck out to me, as a fan of the book series on which the show is based. It certainly is an interesting way to mark someone’s coming of age.
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Then suddenly, she calms and begins to float on her back, eyes closed, letting the river carry her downstream as it wills. Egwene screams before she hits the river below, struggles to swim against the raging current, coughs as the water slides over her head. Trust the river.” Then she shoves her off the edge.
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As she stands at the edge of a cliff, newly welcomed by the women of her village, her mentor, Nynaeve, grasps her by the shoulders and murmurs, “Be strong, Egwene. When we meet Egwene al’Vere in “Leavetaking,” the first episode of The Wheel of Time, she is attending a ceremony that marks her passage into womanhood.